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They left the computer set to "record" and banged out hundreds of hours of music to draw from
Sister reminiscent “Mexican War Streets
and dangerous vision
and on weekends he set up a makeshift studio across the street from CBGB and intercepted kids on their way to the all-ages afternoon shows
Harvestman "Triptych: Part Two" meta-distrotitle They left the computer setAt its heart, music has always been a questioning of inheritance a dialogue with predecessors and forebears, the forging of ones own perspective in relation to what has come before, and for some, a plunge into the boundless realms between. For Steve Von Till, that process has always taken on an added dimension to become the most sacred of tasks. Whether through the apocalyptic uprising of Neurosis, the sonic deconstructions of their sister project,
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